Thought I’d better….

get around to doing another post.

Life has been pretty tricky since the last post but I guess that’s life.

I have AGAIN done the Arts Council Funding form for Heallreaf 3, spending some considerable time on ‘Public Engagement Criteria’ I mean I know what it means, but……….  My Uncle recently suggested it sounded like ‘a standard meaningless phrase, designed to knock you back and test your determination’ and I guess it feels like it sometimes. I should hear whether I am successful this time around Christmas, I will do it again if I don’t get the money.

And yes I have been weaving and this is the big round one for Canada:

It was still on the frame when photographed and is a bit tricky because the left hand side is paler than this and the camera got confused. I think it is going to Canada but I have sent a photo and not heard anything, I might nudge them again but I don’t like to. So it is a whopping 1.5 metres in diameter, which isn’t whopping in tapestry circles but it is the biggest tapestry I have woven so far. It felt incredibly complicated when I was weaving it but doesn’t look it does it?

I did promise to post all my workings on this piece from start to finish on this, here goes.

This was how it started. As you can see, a simple image almost on the back of an envelope, but it would have been silly to weave something that simple so big as there would have been great big spaces of colour and anyway that was never my intention, this was just a starting point. You can see the dots which denote that slight changes in coloured areas as it goes from light to dark. This image is on it’s side as I wasn’t quite sure about how I was going to weave it yet.

The next stage was to make the background a more balanced image. I knew the part circles should be in red but wanted the background to be more complicated. I turned to a painting that I had done sometime ago. I may have blogged about it, you use silicon and acrylic paint and PVA glue stir them round and turn it out onto a board. I took a circular area of one of those paintings and here it is:

Of course it is far too complex to weave, even at 1.5 metres across so it was always going to be simplified.

Then I had to address the shading, I always knew the left hand side would be paler than the right and I wanted it to get darker in waves rather than a slow delicate blend. I needed to know how many blends of the background colour I would have so I did some sampling. (Yes me again sampling, it is becoming a habit.) I knew the darkest colour I wanted was a Weavers Bazaar colour called ‘Midnight Green’ so I asked them to dye four more colours, each a shade paler than the last and these where the five yarns I ended up with.

They are very grey, in fact probably greyer than I anticipated but it is always difficult with weaving isn’t it? You have to tread that line between subtle and garish. The samples I did are these:

I worked it all out vaguely mathematically on a piece of paper. The blend number is down the left hand side and the yarn numbers are across the top.

You can see at the bottom that when it came to it I needed another colour and added black linen in instead of using all the darkest colour. I used 8 strands of yarn in each weft bundle and at no point have I used just the one colour, it is always a blend of two or three colours, to move from that to just one colour makes a very blocky colour with no subtlety. Hence the change of mind in blend number 20.

So this next image is the curves that will go across the image to note where the colour changes come:

It has got a bit creased and I changed it a bit as I went.

Finally this was the cartoon which I might have posted earlier:

The tapestry was woven through 90 degrees so the straight line which goes from the bottom upwards was coming in from the left hand side. I wanted that line to be very thin and very straight.

And so here we are back at this:

So that’s the tapestry start to finish in a nutshell. A very small nutshell. It took about 350 hours to weave and around 2 kg of weft yarn.

 

So, as my brother said – what’s next?

I am trying some weaving with bungee cord in the hope I can put pressure on an area and pull it out of shape. Unfortunately once used in the weft bungee cord seems incredibly stable so it isn’t playing the right game. I might give up, but you have to try these things. I just begrudge what I see as ‘wasted time’. It was an experiment for The Cordis exhibition next year but I don’t think it will be entered. One interesting fact seems to be that although the bungee cord won’t pull sideways as I wanted it does have a certain amount of movement backwards and forwards, so the weaving will push into bumps towards you and away from you. I am not quite sure how that can be utilised but I am keeping it locked away in the back of my mind maybe for future use.

The next piece is a small 10 inch square piece which will be a composite of four faces. This is proving a bit tricky but it is early days yet, the design isn’t playing the same game as me, maybe it has been talking to that bungee cord! It will be woven quite finely – maybe 10 warps to the centimetre, maybe even 12. So when you next see me I might be wearing very strong glasses. I wouldn’t normally weave at such a fine sett but finished size is decided for me and I don’t think I can get the detail in at anything less than 10, I may have to do more sampling. At least the deadline isn’t until May.

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Weaving away

So it is a bit difficult to remember where I got to but I do remember that just as I published the last blog I remembered that I was going to share the news that I have been accepted as a Member of the Society of Designer Craftsmen. This is good news and as a QEST scholar I bypassed the Licenciate stage and went straight to Member. Having said all that I haven’t heard anything from them so I think I have to be a bit more proactive on investigating their website and stuff.

So, if you are keeping up (I don’t blame you if you aren’t) I was about to start a 1 metre round commission and I did samples. Yes I know I rarely do sampling but when you have a commission and a customer to enagage you have to do something for them to make decisions on. So I did the samples and then the commission. It involved some tufting which I quite liked after the Instabul thing but have lost my love affair with after this one. It takes SO LONG and SO MUCH yarn.

Anyway this is the commission finished, although still on the frame:

I am rather pleased with it, although it is very pale and elegant, going back to some of the work I did at college which is where the person who commissioned it saw my work. The middle is tufted and I did it in very fine wool 32/2 if that means anything to you, not much thicker than sewing thread, but it gave the surface a lovely fine finish. The background is all plain undyed wool with just a hint of gold lurex. I’ll get through those kilo’s of gold lurex I bought at college if it is the last thing I do.

As I started this I got an email inviting me to exhibit next January. The problem is that the minimum size is 1.5 metres square and I have to get it done by the end of September because I have nothing quite that large to hand.

So all hands to the pumps I have gone and bought myself a scaffold frame which is now in my studio, all put together by little me and I have just spent two days – yes two days warping it up, 2.5 ends to the centimeter and double warped.

Here is a photo:

So I feel a really grown up tapestry weaver now I have a scaffold frame, I also have very sore hands from the warping, as well as an extremely short temper because the second lot of warps on the double warping kept getting crossed over, or, just as I have a couple of centimetres to go I dropped the reel of warp thread and consequently it all pinged and went slack and I had to go back quite a way and start again. Grr! Next time I will do about a foot of the first warp then the second warp to the same place and move slowly across like that, hopefully it will be easier.

I have calculated that there will be around 400 hours of work if this was warped at 4 ends to the centimetre but as it is 2.5 I am hoping it will move a little (a lot) faster. If it isn’t all done in time, I am hoping I can send them images of what I have done so far and they will accept it, if not I will put it in for The Cordis in January.

It has occurred to me that instead of me just wittering on these blogs it might be an idea to show this next piece from inception to finish, there is even some talk of PJ doing some photography with little videos all linked together so it won’t exactly be a time lapse but something like that. I shall put my mind to it for the next post.

 

 

Been a busy bee

Since Hatfield House a lot has happened.

I had a lovely photographer come to  the studio. Julian Calder came to take my photo for a book Qest are doing about 100 of their scholars and I am included. Coo! He was such a nice man and it was really interesting how he approached composition for a portrait, not something I had really thought about but then I am not a professional portrait photographer so I suppose I wouldn’t. He was recently on ‘Countryfile’ on the TV talking about a portrait he did of the Queen and shared more insights on composition.

I don’t have a copy of the photo and I guess it will be copywrited but even the staff at Qest haven’t been allowed high quality photo’s just in case any get out before the book launch in October. I am hoping to go.

We had a break involving a trip to Scotland and then Northumberland. I love Northumberland and would move there tomorrow if I could. We did a round trip and on the way and went to Hardwick Hall to see the tapestries and I suppose the hall itself but mainly the tapestries. This was the third time I had tried to see the tapestries so third time lucky. I am swiftly coming to the conclusion that once you have seen a couple of National Trust houses you’ve probably seen them all but there was a wonderful room called the Muniment Room which held all the deeds for the properties and all sorts of other papers. I want one:

Harwicke Hall 180527-1

Isn’t it wonderful? Just think how much yarn you could get in there.

I also came across a tapestry which utilises slits as part of the design. Something done a lot but in my very humble opinion (and I mean that) this is the best use of slits I have ever seen.

The darkness in the slits just seems to make the white sparkle in the way water does when the sun is on it.

We must thank PJ for the photo’s.

After Hardwick Hall we went onto Scotland and did Stirling Castle, well we did a few other things too but as this is basically a weaving blog you do not need to know about the long drive up to Queens View at Pitlochry where the Sat Nav told us we had arrived at our destination but then expected us to walk across water to get to the view point.

Stirling Castle was interesting and it was good to see the exhibition of how the tapestries were woven, although there were a couple of things that either I got wrong or they got wrong, I have to check whether the Unicorns were really woven on wool warp and I can’t remember the other query off hand. I had forgotten they were woven 10% smaller than the originals and I am sorry to say I think it showed. Of course I totally understand why but that combined with the coloured walls I felt they lacked presence.

Stirling Castle

It was strange as the young man at the hotel we stayed in dismissed Stirling Castle and said if we wanted real culture we must visit the Wallace Monument. Regretably PJ had everything planned in advance so we didn’t get around to seeing the Wallace Monument so I am not quite sure what he meant. Maybe next time.

And finally of course we got to The Dovecot. I am amazed, they had SO much yarn you would not believe. I nearly bought some in the shop but PJ said ‘I’ll meet you outside’ so I didn’t really get a chance and to be honest I don’t need more yarn at this point in time, I need to get some woven up to give more space in the studio. They were preparing small tapestries, I think about 12 inches square, all based on the ex swimming pool building the studio is housed in as they have a big anniversary coming up. Some of them were tufted (with a gun not by hand like mine) and I have to admit I am starting to warm to tufting, especially as I have just finished a tufted piece. No sheds to get in a pickle. David Cochrane was talking about using leashes which I have tried but gave up. He was enthusiastic that I should try them again and as my next piece is large areas of one colour I will give them a go. Sorry to those of you who do not know what leashes (and come to that sheds) are. This blog will get far too long if I start explaining, ask me next time you see me or email me.

This is image of a tufted ‘thing’ on the wall in the Dovecot tea shop. Yes they have a very good tea shop, nice tea. Did we visit a lot of tea shops or what? It is a bit wonky I know but the best way I could get it all in.

IMG_1317

After that we spent a lovely week in Northumberland, the weather both weeks was glorious although Northumberland involved the local midge population eating me alive, almost as bad as when I went to Florida and yes I used the anti midge stuff and I took extra Vitamin B but they had no effect at all, or maybe they did and I would have just been one huge bite by the time we left. As it was the left side of my face and neck looked like I had caught some disfiguring disease.

And finally here is an image of the tufted  ‘rug’ for the Istabul Design Biennial in September.

google weaving stop time finished

And that’s it for now. I expect things will go a bit quiet for a bit as I have a commission to do next and some samples (yes me doing samples) to produce prior to the big piece – a round one, 1 metre in diameter.

 

 

 

 

Back again

So I thought I would update about Hatfield House and probably have a little rant.

Firstly and most importantly thank you to everyone who came and said hello and allowed me to go and get tea (or got me tea) and also have ‘comfort breaks’. It would have been an exceedingly long four days without you.

I am now in the process of unpacking everything and hanging all the tapestries in the studio t0 make sure they are dry and may have to clean them all as well. Why is it that people have to touch tapestries, even when there are signs saying please do not touch? Would they touch a watercolour or an oil painting? The quilters had A5 size quilts with a hand and a cross through it, I wonder if that would work better than small cards? I mean big signs saying DO NOT TOUCH tend to put people off coming anywhere near you so surely there is happy medium. It was interresting that when you asked someone not to touch they then got very guilty and ran away.

So a lot of the exhibitors were very grumbly saying there weren’t as many visitors as in previous years and most seemed to be seriously financially down on what they have taken in previously and it all got me thinking. Are ‘craft fairs’ (because that is effectively what this was) a thing of the past? After all Collect missed a year and all that is is a very high class craft fair (sorry Mr Saatchi but there it is). Also the feeling amongst visitors was that it is all the same old same old. I was approached to exhibit at the Game Fair and the Textile Fair at Landmark House partly because you don’t see tapestry often. I suspect both will be far too expensive and to be honest I know I would not have gone to Hatfield House if I hadn’t been given a free place. Apparently it is usual that next year I will be offered a half price place. Again it is unlikely that I will do it, after all tapestry is not an impulse buy. There were lots of lovely comments and asking the price but I am not sure it is worth it and four days was a long time, even the regular fair exhibitors said four days was a bit too long. I did sell a small triptych and PJ’s ‘encouraging’ comment was ‘that doesn’t even pay for your hotel’. Bless him, but he was right. I just hope some of the cards I gave out about the course I am teaching in September have an effect and I did talk to several people about commissions, rarely does anything come of those discussions but you just never know.

I really think these sort of craft/country fairs have had their day. We rarely go to a fair of any description now. We avoid the West Dean Chilli Fiesta because it is mainly stalls selling chilli sauces, the only stand worth going to is the Monezuma’s chocolate stand and that is because PJ has a loyalty card and their chocolate is out of this world.

At the weekend most of the visitors wandered around with slightly dazed or glazed faces and not much interest at all. There were a few youngsters who were quite engaged, one was standing discussing abstract art with me for some time, I guess (big guess I am not good at giving children ages) he was about 13 years old. One person rushed up and said ‘oh my god tapestry has come into the twenty first century’ and I thought we might get into a conversation but she didn’t want to talk or really look at the work, having said that she rushed off again with her mates.

So that’s my rant. I will leave you with an image of ‘Blue’ which was there and more than one person came up and said ‘it’s a Manta Ray’. Can you see it because I am not sure I can, well, sort of.

 

Just a quick one:

Here is an image of the half finished knotted piece for the Istabul Biennial. I am weaving on the side so it will get bigger towards the left, the black, grey and white is the beginning of a face which will slowly appear and then the colours will go all dark again. I know what I mean, if you don’t just watch this space for the finished article. It will be around 60cms square.

Istanbul 3

Time Flies

I can’t believe it is nearly three months since the last post and I know I am always saying things like that.

So what has happened since January?

Well, I got into my studio and started the tapestry for my Mum and here it is finished:

 

 

 

 

 

 

 

 

 

 

Okay, not the best photo but I haven’t blocked and finished it yet, I will post a better one then. I also have to admit that it is not as wide as the original postcard but I took the tapestry to a talk I did recently and someone looked at it and immediately said ‘that’s Chillon’ which it is, so the tapestry can’t be that bad, apparently the castle was used as a prison at one time. Oh it is in Switzerland if you don’t know – I didn’t, had never heard of the place.

So what else has been happening, I did the talk as mentioned above for the East Surrey Embroiderers Guild – they were really nice and seemed to like the talk although I said I would use their projector and when I turned up with the Powerpoint on a stick they didn’t know how to sort out the projector and although it said it would take a stick there wasn’t a socket, just as well I took the laptop and my projector just in case.

I am currently weaving a tufted piece for the 4th Instanbul Biennial so I am basically making a rug and had forgotten how much yarn it takes. The idea was to google a particular phrase on a particular date and then weave the image. I think the phrase was chosen to highlight child labour. It has to be done by the middle of June and we are away for a fortnight between now and then so there will be a few late nights during May. I have tried to put up a photo but it won’t load, I have no idea why but will post a picture next time, it isn’t very exciting at the moment.

Also I have been frantically weaving small pieces to sell. This is because I have been offered a ‘pitch’ at Living Crafts at Hatfield House 10-13th May. You will find me in the ‘Emerging Artists’ tent if you happen to come along. I have a few buy one get one free tickets if anyone wants to get in touch I will post them to you. Unfortunately I can’t take the tufted piece to do whilst I am there, I would have to take it off the frame and re erect it once there and even flat I don’t think the frame will fit in the car, especially not with everything else I am taking. I decided that camping was going to be too difficult so am staying in the local travelodge, although I have to drive from home to Hatfield on the Thursday morning to arrive by 9am. That is going to be an early morning.

In between times I also applied to the Theo Moorman Trust for a grant. It was originally on the Monday after that bad snow weekend and PJ and I went down to Bristol on the Sunday just to make sure we were there and then at 4pm on the Sunday I got the email to say they had cancelled. I was not impressed. They rescheduled for the following Monday so I drive down again and then didn’t get the grant. So that was a complete waste of time and money. I had applied for funding to help put together a coherent body of work but they refused me on the grounds that the work I took didn’t show evidence of coherence (my words not theirs I can’t remember exactly what they said) I think I just took the wrong work, I took a broad spectrum of work that showed the breadth and width of my skill. I think if I had taken 5 pods they might have given me the grant but you can never tell can you? I think by the time I got there having done the trek the week before I was a bit past caring.

I think that’s enough for now, more photo’s next time.

 

 

 

Yes, it is truly finished.

The studio this time, and here are some images. The first is looking back towards the door and the second is from the door.

I did paint the walls but the smell of the paint got the better of me (a five day migraine) so PJ finished it off, then I did the floor. It’s not brilliant but to be honest I was past caring by that time and couldn’t bear to put a fourth coat on the walls. The first coat of 50/50 paint and water straight onto the plaster was very messy.

It doesn’t look very big now it is finished and once the Weavers Bazaar Pop Up Shop and a desk (two bedside tables and a bit of MDF) got in there I began to wonder if there would be room to weave. I have now lugged all the yarn down from the loft, (took the nasty rug yarn I am never going to use to the textile bank) and there is room to weave but it will be a case of having to be very organised. As you can see in the photo’s, the ‘organised’ hasn’t quite started yet. The blind for the window has just arrived so that can go up over the weekend.

It is lovely just to have somewhere quiet to catch up with emails and stuff, although the laptop is behaving badly, the studio is a bit of a faraday cage due to the foil on the insulation. I am sure the scientists amongst you will say you can’t have a ‘bit of a faraday cage’ but I can send and receive emails and I can get onto the internet most of the time if I know what website I want but I cannot do a google search at all. I have some sort of booster thing for the broadband but it hasn’t cured it.

So I feel like I am spending a lot of time just sitting staring at the walls. I have started the next tapestry, it is a tapestry of a postcard someone sent my Mum and she said she would like a tapestry of it, so I have started. It is leaning against the wall in the second photo, not that you can see it very well. I keep telling myself it will be good experience but am not very enthusiastic. I have the second of the latest diptych to do and then another diptych after that and then 3 x 30cm square portraits. And then there is the 3D pod which will have tentacles (don’t ask). So no time to stare at the walls, I think the ‘sloth’ tapestry has to go up PDQ.

Next week I am off to Nottingham to look at a gallery for Heallreaf 3 and I have just spoken to someone in Tunbridge Wells who might be interested. I think I can do Nottingham without Arts Council funding but will still apply so we can do a masterclass and symposium. I might have to go and lie down just at the thought of it. Watch this space.

Finished!

The tapestry that is, not the Studio.

The tapestry was a bit difficult towards the end. The tension got tight because I had to finish it weaving standing up. Not good for my back. I had to undo about four inches and it still goes in a bit. Part of the problem is not being able to get far enough away to look at it so you can’t see when it is getting tight until you realise that bit of weaving is getting really difficult. I know some weavers put a length of coloured yarn up next to the outside warps so they can see if it is going in but I just end up weaving it in which is a complete pain. Lets hope it will block more or less square. I don’t think it is as wonky as the photo suggests, actually I have just measured it and there is 3cm difference between the top and the bottom. Drat! That’s about 4%, it’ll be interesting to see if I can block it square or if that is too much to ask. I have to find somewhere big enough to block it, the studio will be big enough but I need a piece of MDF a metre and a half by 80cm.

Anyway that’s enough excuses here she is:

MFJ Textiles 171206-1-2

The colours are about right, PJ took the photo. I will cut her off later tonight.

So the next tapestry is the other half of this one and this is more or less how they will look:

Wings Diptych small

Only I have just realised that the above is the cartoon and I have the picture of the one I have woven upside down. It also shows where I didn’t keep very well to the cartoon, the bottom half of the cartoon, (top lef tof the woven piece) is very different, I wasn’t able to get all the mistiness in without it going sludgy. I think the final decision on top and bottom will happen when they are both woven. I won’t start the pale one until the new year when the studio is up and running. To have woven it beautifully faithfully to the cartoon it needed to be nearer 3 metres high not 1.5.

And talking of the studio, it is coming along nicely, the plasterer left at 7pm yesterday so I have been out there stroking the plaster. I love the texture, it is so smooth, it always fascinates me, the plasterer said it took him eight years before he was allowed to go out and plaster walls, I can believe it. Michael is back today putting the lights in and I warned him that once the lights are in he might arrive and find me in there weaving. I am wondering what colour to paint it. White is so stark and I quite like the Dulux light and space paint which we used in the bedroom and it really does create a brighter room. The trouble is all the colours they do are quite cold colours and I was thinking of a very pale greeny yellow. Sounds horrid but I know what I mean, a sort of very pale khaki. I think I might have to get some testers, or leave it all pink and plastery.

So that’s it for now.

Getting there

Yes hurrah work has started on the studio. The name has morphed slowly from workshop through workio to woodio and is now studio. Michael our intrepid builder started at the beginning of last week. This does mean that the house is full of all sorts of stuff (old junk?) including the new toilet and sink for the cloakroom (which is next to the studio) which are sitting in the middle of the living room floor. Michael works on his own and has obviously got used to doing two or three man jobs without any help at all. Below are some (poor) images of him putting in a new load bearing ridge beam, to me it is a feat of engineering, IKB would have been proud.

So the first picture is from the putside showing the beam going in the hole he has made in the end wall of the studio. The second picture is the beam just poking in on the inside and the third picture is the block and pulley he set up to take the weight. So he rushed backwards and forwards pushing a bit from one end and then pulling from the other until he got it all the way through and resting on brick work at the other end. This was so he could cut off the supporting beams going across the roof at about 7 ft off the ground so I have more height to get a scaffold frame in. He has since screwed this beam into place and done a pile of electrics and insulation. Unfortunately it is very dark in there as he had to take the window out. This was because the very first job was to take up some of the concrete floor and it made SO MUCH DUST he had to take the window out for ventilation.

I stupidly ordered the wrong extractor fan so that had to go back but now the company are saying they only got the little controller (on/off switch to me) not the fan itself. Hopefully I can get them to realise that a parcel weighing over 9kg simply HAD to have the fan in as well. The wrong fan was ordered due to my email going wrong, poor excuse I know but for some reason btinternet decided to ditch half my emails without me realising and refused to acept many and would only download occassionally . I think I have it sorted but am not sure. It has to be BT because the google mail accounts I use for Heallreaf and Tapestance are working fine. Fortunately the new (smaller) fan has arrived and hence Michael is starting electrics. I will never understand electricity. My Dad always used to say ‘it’s volts that jolts and mills that kills’. I have no idea what it means and where do ohms and amps come in. Lets just say ‘it is like magic’ and leave it at that.

So weaving has taken a bit of a back seat what with getting the workshop ready to turn from a caterpillar into a butterfly. (Building the chrysalis takes a lot of time.) However the last few days have seen me crack on with the big tapestry. Unfortunately I have realised that the small image I have had next to me isn’t quite complete, there is the equivalent of 6-8 inches (15-20cm) missing from the top. This isn’t the end of the world, I have other images but it does mean that my 3/4 of the way mark which I have just reached isn’t 3/4 of the way. More like 2/3rds. Sigh. I still hope to get it finished by the end of the year.

Here is the latest image. The white in the middle is a bit burnt out as usual, my ipod takes good photos but not in the confines of the spare bedroom. There are bits that I look at and think ‘wow that’s amazing’ and there are bits that I am not so happy with. I have played loose with the cartoon, to be honest to have reproduced it faithfully (which would have been nice) would have meant weaving it 2 or 3 times bigger. I have woven just over a metre high so far and there is another half metre to go, plus the selvedge. Better get on then.

 

Back again – so soon

Yes it is rare for me to post again so soon but I have lots of pictures to share:

Firstly, Anne Jackson’s exhibition at The Museum in the Park in Stroud. Really, really good. I have started doing larger work lately and it reminded me why, the big pieces were not enormous, none more than 2 metres in any direction but the fact there were quite a few just reminded me how monumental tapestry can be. These photo’s are a bit blurred but I am not sure why, I can’t believe PJ would take such blurred photos. Sometimes I think it is this new laptop, although it looks better when I preview this page so maybe the computer just doesn’t download to a high standard whilst I am writing this. There again maybe it is my eyes, I seem to have spent a long time gazing into this screen over the last few days.

                    

Secondly, I have finished dyeing the yarns for the top of the big tapestry. The colours are these:

The dye is a mixture of pink and turquoise. Unfortunately the turquoise in particular doesn’t like mixing with other colours. I chose turquoise because if you look at the one in the bottom right corner that was dyed with pink and blue the blue is too strong, the turquoise gives a much acidier colour as I mentioned in the last blog. So the yarn is not uniformly dyed and is patchy. I don’t think it will matter as I will be blending them with each other and different colours. I am quite itchy to get back to weaving this piece, I had wanted it finished by the end of October but I think the end of the year is being hopeful. I have spent this week doing the final Arts Council Funding report and generally tidying things up and catching up on computer stuff.

And talking of the end of the year, the studio is actually coming along, the builder starts next Monday (23rd) but doesn’t think it will be finished until January. He is half retired so doesn’t work long days hence the length of time it will take. Well, I am assuming it is that. We had a bit of a tizz with the insulation, apparently it has been taken off the market, some reason following the Grenfell Tower fire. He has managed to get it but the price has gone up and I get the impression he has ordered a board of insulation from here and another from there in order to get enough. I don’t know what we would have done otherwise as it is special in as much as it is quite thin, about 2 inches thick I think and all the other stuff is much thicker and that would have caused all sorts of problems as it would have been too thick for the gaps. I will have a smoke alarm and carbon mono oxide detector in there so am not terribly worried and we have it in the bathroom too. Something else I have been doing is sorting out radiators and extractor fans and other things for the studio.

And three, here is a photo of the piece I have just finished that I started on Pat’s lettering course:

The lettering is quite high in the tapestry because I was going to do another word overlapping the end of sloth and a bit lower but decided that I would stick with ‘Sloth’. The word came out of a discussion on what the colour made me think of and one of my friends on the course mentioned about how sloths get green algae growing on their fur. I have always loved the word and I approve of being slothful at times. I think I will hang it in the studio when it is finished to remind not to be slothful and lazy and to get off my bottom and do some work.

I have also done some experimental painting today. ‘Experimental and painting that doesn’t sound like you Margaret’ I hear you cry. Well, no it isn’t, painting is far too messy for me generally and this is even messier than normal. It involves thinning acrylic paint and then mixing several colours by pouring them individually into a pot and in between adding WD40 which is just a silicon lubricant. Then with all the colours and the WD40 in one pot you give it a bit of a shake and then turn it upside down onto your canvas/board, you then pick the pot up quickly emptying the paint mixture out onto the board and then you sort of tip is and blow it until the whole board is covered with these amazing swirls:

 

 

They are a bit shiny in places as I am still waiting for the paint to dry. the first one was on a plastic sheet so the surface is very smooth but the second two are on small square linen panels so you can see the texture in places, especially where it is wet and shiny. The plastic sheet didn’t work terribly well as in places the WD40 hit the plastic first and then the paint didn’t take and just slid off. If I was to use the plastic again I would put a layer of primer on it first.