Bendy things

So my life has gone ‘bendy’, well only a little. I went to the bobbin box the other day and pulled out this:

I am not sure how it happened, none of my other bobbins have done this, although one in the same wood looks and feels like it might be following suit. A year or so ago I cleared out PJ’s woodturning workshop so I could use it as a studio and we ditched all his wood and machinery as he didn’t use it anymore (woodturning’s loss but photography’s gain). Anyway there were some lovely woods which had been hanging around for nearly a decade so I sent them off to Ian the bobbin maker who lives on the Isle of Wight and asked him to make bobbins for me. I suspect this must be one of those bobbins although all the wood was so old I really didn’t think it had any movement left in it.

And as if this wasn’t enough as I was leaving the studio the other day I turned around to look at the frame and saw this:

It made me think of Archimedes and his ‘Give me a lever long enough and a fulcrum on which to place it, and I shall move the world.’ Only in this case it should be ‘Give a woman enough warp yarn and she can bend anything’. I mean this is a scaffolding pole, they use it to build structures to stand on so they can mend roofs and build houses for goodness sake. And to think I had considered getting aluminium poles instead because they would be lighter for me to heave about.

Moving on. The weaving is going okay, it is very difficult to photograph as it is 2.5 metres wide and there isn’t the room in the studio to get far enough away to photograph it, in fact at one end (left hand side of the picture) there is barely enough room to weave it. I took this photo using the panoramic setting on the phone but it is very distorted, I might try with some ordinary photo’s and stitch them together.

There isn’t much point taking a detailed shot of it either as 95% of it is woven in a blend of 4 strands, 2 x brightish green, 1 x very dark green, 1 x dark navy so it all looks the same and is very boring. On the right hand side you can see some black swirls on the cartoon, there will be some maroon strands added in there to suggest the swirls but not anything with hard edges, there are some more swirls a bit higher up as well, I might be able to take photos of those as there will be more light up there. Lighting is proving a problem and I have woven some of it with a head light strapped to my forehead, it isn’t very comfortable but gets me past the really dull bits.

So we are back into lock down next week. Not such a bad thing I don’t think, yes I understand that many people may lose their livelihoods but perhaps the alternative is that they lose their lives? At least there is some semblance of normality with the schools remaining open.

I am participating in some zoom courses at the moment, one on Natural History Drawing – the flowers and bugs are fine but I just can’t draw a landscape to save my life, and then two short weaving courses, one with Michael Crompton and one with Alastair Duncan. Alastairs is about using sound with weaving and that’s going to be a steep learning curve. Watch this space for the results.


Unfortuntely Artapestry6 did not want my two latest tapestries, here they are:

Which is a bit of a pain as I now have 3 linear metres of tapestry with nowhere to go.

I shall put them into something else at the end of the month and if that isn’t successful maybe The Cordis in January.

The exhibition locally at The Oxmarket went well, the footfall was amazing, over 100 on some days but not huge sales. Of course I did not sell anything but didn’t expect to. I really don’t expect to sell a £6k or £7k tapestry in a small venue like that. However ‘The Way of All Flesh’ looked amazing on the wall, it is the first time I have seen it up and it looks lovely over Andrew Lapthorn’s beautiful coffee table.

Now I want to buy the coffee table but I do see it more as a bench and maybe I will have the perfect place for it once our kitchen extension is built. Well, not this particular bench but one a bit smaller. Andrew’s work can be found here:

But going back to the exhibition and selling, I always think if I don’t get my work out there I will definitely not sell anything (if that makes sense). There was some beautiful work at the exhibition apart from Andrew’s coffee table (bench – sorry Andrew). Simon Jewell’s boxes are absolute jewels, see his website:

I might also have a place for a lovely bit of architectural glass by Fabrizia Bazzo:

In fact if you want to gaze in wonder and awe at some very beautiful work just headover to the Society of Designer Craftsmen’s website.

So what’s next for Jones The Weaver I hear you ask.

Well, I have to admit not getting the pieces into Artapestry6 was a bit of a blow. I absolutely know there is no reason why I should get in just because I have had work in the two previous exhibitions – both of which I thought were not as good as the diptych you see here. But you just never know what the jury is looking for do you? I once had a very odd email declining my work for one of the ATA biennials which sort of implied the writer really liked my work and thought it should have got it but had been out voted and maybe it just didn’t ‘go’ with the general sensibilities of the jury or the exhibition.

This and looking at the general lack of sales at the Oxmarket exhibition (not just my lack of sales) has made me think I do need to make some smaller work which can be sold for around £50-£100 and maybe something that is a wee bit more commercial. But it is difficult to make stuff that you want to weave that is saleable, I mean I could just weave different breeds of dogs and that might well sell but I don’t really want to become known as the dog weaver. Don’t get me wrong, I love dogs – well – most dogs – but that isn’t what my work is about. There was one piece years ago which sold before the exhibition even opened to the lighting man and I am wondering about some similar work. Here it is, I finally found the photo:

Although looking at it now it isn’t as good as I remember. It is very pale and elegant and very ‘interior designy’ and I guess that is why it sold, it had a simple black frame on it. It is just woven in undyed yarn and just not quite white cotton so the light is the thing that gives you the image, maybe that is why the lighting man liked it.

So I am considering doing some ‘life drawing’ type poses in a similar manner and I have already done some postcards ready for ‘Heallreaf Post’.


that will be after the next big 3D piece which I hope to enter for The Cordis and maybe it will even get selected – you never know!

This has however been a bit trying as the 3 metre scaffolding poles have been on order for two weeks and haven’t yet arrived and I am currently trying to dye the right green for it, or one of the right greens. I never seem to have the right colour no matter how much yarn I have or dyes samples I have kept:

So back to the drawing board for a bit, will keep you updated with any exhibitions or the like and by January should have a photo of the big 3D piece – hopefully, if the scaffolding arrives I am not still trying to dye the right green.


Here is the latest tapestry still on the frame but finished.

MFJ Textiles 200712-1-Edit

Unfortunately it got twisted a bit on the winding down so became more of a parallelogram. I was really happy with it (yes, I know it is unusual for me to be really happy with work) until I realised this.

This should not happen anymore as I know have these things fixed to my scaffold frame:

MFJ Tapestry 200626-5 closeup

There is one each side so I can wind it down without it twisting – fingers crossed.

I am hoping to block it square but it is so out of kilter I am not sure it will work, it is currently sitting under damp (wet) towels at Weavers Bazaar. They are not using their teaching studio at the moment due to Covid 19 so I have hired it to block out the tapestries, not having that much space at home.

I do have work going into an exhibition at The Oxmarket Gallery in Chichester at the end of August. It is being organised by the Society of Designer Craftsmen of whom I am a member. It should be a good exhibition. I have also booked The Oxmarket Gallery for next July – yes July 2021 – for the next Heallreaf exhibition, this is a smaller than usual exhibition of just postcard sized tapestries and I am hoping to get lots and lots of work entered, there is no entry fee and no jury but work is being sold at a standard price, quite a low price to encourage people to buy tapestry. Then the big Heallreaf 4 will be in 2022 assuming I can get galleries interested and the Arts Council willing to fund it. I have proposals out with several galleries at the moment but none have come back to me as yet. I know 2022 is a long way off but I would very much like to have dates and funding sorted by the end of 2020.

I feel this blog is a displacement activity as I need to put on the tape and back the big pale tapestry and I don’t like doing that – at least that blocked out well, I am a bit happier with it now, I was muttering about re weaving it. yes, I have lost my mind, 300 hours of weaving to do the thing again. I might yet but not just now, there is also a third tapestry in this series but I will take a rest and do something else before embarking on that.

What’s next then? A large 3D thing for which I need to get 3 metre scaffold poles for the frame, trouble is my studio isn’t that big, the frame will have to be at a jaunty angle across the room, I may have to climb in through the window to weave!



Getting on

So we are starting to come out of this lock down thing. We are fortunate that we live in a very low risk rural area but you just never know what Covid 19 is going to come up with next do you?

Obviously I am still weaving away. I started with a good routine but after about 9 weeks it sort of fell to bits. I was doing boring stuff in the morning and weaving in the afternoon/evening, however I found the boring stuff – housework and gardening, (although I like gardening) – was extending into the afternoon so am now starting weaving in the morning and getting on with the boring jobs in bits and pieces during the day as I do find my back is not happy after 3 hours solid weaving so it needs a rest.

Here is the latest piece:


That was just before I wound it round and here it is now.


I am just about half way so there is another 70 odd centimetres to go. This bit looks less interesting but I guess there is less to see, once there are another 12 inches/30 centimetres woven it will look more exciting (hopefully).

Small Tapestries

In spite of lockdown I haven’t managed to post lots more, but then tapestry grows very slowly.

I have images of two small tapestries I’ve recently finished.

Firstly is one that started as a photo of graffiti when I was stuck on the train waiting to get into Waterloo station last October. It doesn’t look too much like the original but then the photo was taken through a very grimy South Western train window.


Actually I think it might be upside down! I am sure the pink was originally at the top, which reminds me of when I went to see the nice man at the Lurex factory, he said the abstract piece of modern art hanging on the wall behind him had been hanging upside down for a decade or more before anyone noticed. I guess that’s the trouble with abstract work.

The other piece of weaving is a sample I wove as an example of blending, it isn’t necessarily my sort of image but you always learn from doing these things.


I have just warped up for the next large piece and had to do some emergency dyeing. I guess it is one of the problems of not sampling before I start, I realised the weaversbazaar dark grey was not dark enough so I had to dye grey that came between that and the black.

When I have woven a bit more I will post a photo.


So here it is:

Final Tapestry - Cecil - Pale - Small

I haven’t cut it off yet as I will have nowhere to hang it to photograph, hence the light is a bit bright on the bottom left. Not a bad photo though bearing in mind I had to take it through the studio window. I now have to find a space 2 metres square or more to block it out. Maybe when this Covid 19 thing is over I will have to hire a workshop space for a week and block this and the next piece out at the same time.

The face does show on the right hand side, just, which is good, I wanted it to be subtle, it may show more once I get the resident photographer onto it. Equally the shiny yarns in the red will show up better in the right light.

This is the poem that goes with it, it may change a bit but probably not much:

Cecil – The Uninvited Guest

You arrived out of the blue

initially insidious

potentially terminal



you stayed a year

you flaunted yourself

you burrowed

like a twisted broken skein

drawn taut inside

you oozed

you flowed

you fought

but eventually

you failed

leaving scars

and a


good riddance

we say



are closed

do not return

So just what is happening to our world?

Like many of us I am sitting at home wondering what is happening. I was tempted to write this blog not mentioning Covid 19 but that would imply a total lack of awareness of what is going on around me.

We have almost been self isolating for two weeks now, not because we are unwell but the whole world has stopped and there has been no need to go out except for food shopping and the odd walk and then the government told us we couldn’t go out anyway. We have had afternoon tea and cocktails with friends via Zoom. What is this Zoom thing that is suddenly all the rage? What happened to Skype? Skype always worked well enough for me in the past but that I guess is progress.

A friend just emailed me the following:

‘I wish folk would stop sending me inane songs & videos to make me laugh. I cleaned the dining room to La Boheme yesterday. All that hysterical singing was much more appropriate.’

I thought I might use the extra time on my hands (really, time on my hands?) to test some of those recipes I keep meaning to try out but the trouble is I don’t have the ingredients. The gluten free English muffin recipe requires quinoa flakes and guess what, I don’t have any quinoa flakes. But lets face it it is hardly a crisis, or as my husband would say ‘it is a first world problem’. I think that is the problem though, there are those who seem to be unable to manage without their smashed avocado or whatever and are getting very upset. Now don’t get me wrong I like a smashed avocado as well as the next woman but it isn’t a requirement for nutrition or survival is it? Well, not unless for some obscure reason you are on a high fat diet. I also thought it would be a good time to take an inventory of what is in the freezer and use up the stuff that might have been in there a wee bit too long.

Much time is being spent in the garden and the studio. Hopefully by the end of the summer the garden will look beautiful and a lot of tapestry weaving will have been done. So back to weaving, that is the purpose of this blog after all.

I am just about to wind the big tapestry down again, so this is how she looks now:


The top of the paper cartoon behind the warps is the top of the tapestry and then I will have to do a selvedge. I can’t remember how wide the one on the bottom was, probably around 10 cm, maybe a bit less. There is a lot of subtlety in the weaving which I can only see if I lean my laptop screen back a long way so if it looks all white or cream to you, it isn’t really, try squinting.

My major problem with this piece has been the warp not being tight enough and the winding down, according to the laser level I use to check the straightness the sides are all over the place, so cutting off is going to be an interesting exercise. The red square and the bright white ‘T’ section are all straight so I might just have to hope some judicious blocking will sort out the sides if there are problems when it comes off the frame.  I am just keeping my fingers crossed.

What with all this being stuck in the house I am hoping to finish by the end of the week but being more realistic it will probably be the end of next week. Or maybe later. The bit of the design that is left to weave is a face, or half a face and I am fretting about that, I may have to have several goes at it, a mans face with a beard, I think the beard is going to be tricky.

What this space and find out how tricky!


So there I was the other night, just got into the studio to do a bit of weaving and there is this scritchy scratchy sound from above. My studio is not square, there is a lump taken out of it for another room which leaves a flat roof space in my studio (which has a pitched roof) and I store all my tapestries up there, rolled up and laid on their sides, it was from this area that the scritchy scratchy sound came. You can imagine my panic, I have obssessed over moth and all my tapestries are tightly sealed against them but mice? They will nibble through anything if they think it will make a good bed and I know from bitter experience that they do not distinguish between natural or synthetic fibres so the fact my tapestries are all now wrapped in tyvek was no comfort.

So I leapt up and got the steps out and pulled all my tapestries down. Absolutely nothing. Maybe it was a bird on the roof but it didn’t sound like it. To get to my studio you have to walk through the utility room and the other day I opened the door to the utility room to find a wren in there. I opened the external door to let him or her out but never saw it’s going so maybe there is a wren lurking somewhere making a nest?

We are not usually prone to such wildlife visiting us. I like wrens and I do not have a problem with mice as such but they can do so much damage.

On top of this I was getting everything ready for the course I taught a few weeks ago on finishing a tapestry and couldn’t find the brass nails for blocking out. So that resulted in the whole house being turned upside down. I eventually found them in the studio in a box tucked behind the scaffold frame. That was squeeze to get to and now half the house is in total disarray and needs putting back together in an organised manner.

Anyway the course seemed to go well:

Finshing a Tapestry Course 07.03.2020 aThere was much banging in of brass pins and sewing up of ends. We all decided that hammering is good for the soul, like beating a tapestry down, it helps get out any pent up aggression.

Sorting out the course materials did hold me up a bit on the big tapestry and in the meantime I wove a smaller one for the ATA unjuried small format exhibition as they have to be in by the end of March.

I had hoped to finish it to use as a demo on the blocking out course but didn’t quite manage it (too much time hunting for brass pins).

The exhibition isn’t until July so I am hoping it will not be postponed by Coronavirus as I have the airline tickets to go the Knoxville and attend the retreat, see the exhibition and then go down to Alabama to see my brother. My trip to France has just been postponed until September and we had tickets for the Photography Show in Birmingham last week and that was cancelled, at the time I could not decide if this is an overreaction by the organisers or not but since then it seems it was absolutely the right thing to be doing.

So not going to France means more chance to get big weavings done for the Artapestry6 deadline in July – hurrah. Oh and the big 3D piece for the Cordis in January.

This is how that latest big tapestry looks:

Cecil - 23.02.20

Excuse the blue square, one of the labels flipped over in the breeze from the window and I didn’t notice.

I am going to try to blog more often this year, I realised I only posted 4 times last year but can only plead extentuating circumstances which with PJ being ill and Heallreaf 3, and life getting in the way.

My next day course at Weavers Bazaar was on ‘Weaving Eyes’ on Saturday 27th June but it looks like it will be delayed. I have some amazing eyes to weave between now and then.


Still weaving – just

Since November I have done quite a bit of recovering from Heallreaf 3 – it really was a task too far. Next time I have to build a team to take on some of the work. I spoke to the NCCD at Sleaford last year and they were interested but I haven’t heard back from the message I left a week or so ago, I am hoping to go up and talk to them about Heallreaf 4. It may slip to 2022 in order to be the other year to The Cordis but then I am not sure the Cordis is going to happen in 2021, they don’t seem to be regular in a bi annual cycle, just when they decide to do one.

In case you remember and are wondering, I didn’t get the Lady and the Unicorn tapestry started. The backgound is all wrong, it just looked like images stuck on in the sketches I did and I didn’t want to weave such a large tapestry without being totally sure of myself so I have gone back to another project whilst the Lady and the Unicorn sit around waiting for me to make some decisions. Sometimes things just need to compost in my brain for a bit.

Since my last post I have taught two pod courses at Weavers Bazaar, just the one day each and they both went well, well, the students all gave positive feedback which is nice.

I did weave a smaller tapestry in December, more than anything to just keep weaving, I have this fear that is I don’t keep some weaving on the go I will stop and all that time at College etc will be for nothing.


Whilst not the most amazing tapesty in the world I quite enjoyed doing it. The image comes from a photo PJ took of a dahlia and then seriously photoshopped, hence the odd colouring. I think it proved to me that I am not good at following cartoons when I don’t really HAVE to and the colour blending is not as good as it could be but I refused to buy/dye more yarn. And as usual it was a bit too small for me to get exactly the right colour blending even where I did have the right colours. Blending the burgundy into the blue was an interesting exercise. It still has to be finished, I am rubbish as getting around to finishing my work, it is usually done at the last minute before the piece goes off to an exhibition.

Talking of finishing, I am running a one day workshop at Weavers Bazaar on finishing your tapestries, details are here:

It came about because when I posted and image of the Dahlia tapestry on Instagram I said it needed blocking out and several people asked me what ‘blocking out’ was so I talked to Weavers Bazaar and lo we have a one day course. It is going to be a bit of talking and some practical, obviously we won’t have the time or space to block out large tapestries but we can get through the basics.

So the Lady and the Unicorn are consigned to the compost, not literally, maybe marinade would be a better word, the whole thing needs to mull around in my mind for a bit longer, the answer to the background problem will come in time. I have gone back to a previous design which was going to be another diptych but I have decided it will be a triptych, quite ambitous as each piece will be 1.5 metres x 1.5 metres, well, that’s ambitous for me. It was an image I had knocking around for some time and then after PJ being ill last year I had some copies of his CT scans so that got overlaid onto the original images, along with some other drawing and hey presto.

Cecil 1

This is it so far, about 35cm of the design woven in about 40 hours. I don’t normally quote the hours – it can be so irritating when people ask how long it took to weave something – but I thought that was pretty good and it is at 2 warps to the centimetre which is much coarser than I usually work. Whilst it is interesting to see how quickly it grows I don’t think I will rush to weave anything of my own at that sett again, the curves are not smooth enough as it makes the tapestry look quite pixelly.

It looks a bit wonky in the picture as I was winding it down when I realised that I hadn’t taken a photo and once that bit at the bottom is gone it won’t be seen again until it is finished so I had to wind it back up a bit. It looks very pale and subtle at the moment but there is a red square on it’s way. It is being woven on the side so the right hand side is the bottom.

Other news is that on the 19th February I am speaking briefly at a conference on ‘Medium’ at the London School of Mosaic. So here’s another link for you if you are interested:

I think that is about it for today. I don’t post for ages and then you get lots to wade through all in one go. In the next post I will let you know how my learning French is going. I am off on an orgainsed Tapestry Tour of France at the end of May and thought I should brush up on my school girl French. No, lets be honest I have virtually no school girl French so it will be more than brushing up and my brain is already full.




Once again it has been a while

So here I am again apologising for not posting in an age. Well, organising Healleaf 3 sort of got in the way of everything. It finished in London last Saturday, we took down on Sunday and slowly all the work is disappearing back to the artists. I am currently waiting for FedEx to arrive to collect two tapestries but as they were supposed to come yesterday I am at a bit of a loss to know when they might appear. Fortunately I am in all day, packaging more tapestries and recovering from a really nasty virus that hit me just before Heallreaf 3 went up in London. Under normal circumstances it would probably have gone by now but daily trekking backwards and forwards to Shoreditch High Street on the train didn’t aid recovery, although my coughing fits kept my fellow travellers at a distance so I got plenty of space to travel in.

So here is the final image of the diptych I wove for Heallreaf 3:

Espacio Private View 191017-27

The poetry that goes with it is:

He dances alone on the pin

it’s metal hot



his mythical wings burn

oh the folly

from fire

to ice

falling through eternity

the vestigial stumps

just a memory of flight

it is cold

as the ice rises

to burn him


It is interesting that on reading this a lot of people immediately think of Icarus but of course he fell into fire, not ice. Someone else also asked if the reference to the pin was related to the idea of butterflies being pinned to a board. Wow! I didn’t think of that.

To be honest it all started with the question ‘how many angels can dance on the head of a pin?’ (For an answer see Good Omens by Terry Pratchett and Neil Gaiman.)

A guy came into the gallery and we were talking about the work, he said the dark side was too dark and the light side too light, but that didn’t bother me, I spent 3 years at West Dean with few positive comments about my work so it isn’t so much that I have a thick skin in that respect it’s just that I have a certain amount of confidence in my work, and everyone else is entitled to their opinion too. However after I had talked this gentleman through the poem and we discussed the work for a bit he looked at me and said ‘so it’s all about balance’. And I thought, amazing, you are just about the only person to have got it. From falling from the pin to the dark and light of the tapestry to the fire and ice of the poetry, it is all about balance and I am not sure who else really understood it in that way. Having said that I don’t worry too much about people ‘getting’ my work. As Francis Bacon said, ‘the job of the artist is always to deepen the mystery’ I want people to see what they see not what I impose on them even if it is about entymology pins rather than dancing angels.

So that’s Heallreaf 3 over and done with, although the good news is that I was joint winner of the People’s Prize. Hurrah! The People’s Prize is sponsored by Weavers Bazaar, those nice people who sell amazing yarns for tapestry weaving. Everyone who comes to the shows is asked to vote for their favourite work. Last time we had a tie and this time we have a tie as well, the winners were me and Joan Baxter. WoooHooo I won a joint prize with Joan Baxter. For anyone not a tapestry weaver reading this, Joan is a renowned weaver who lives in Brora, she teaches and does lots of commissions and worked at West Dean Tapestry Studio for many years.

Talking of West Dean Tapestry Studio, the piece I helped weave is now at The Blue Mountain School, 9 Chance Lane, which is just opposite Shoreditch High Street Station so one day I played truant from the gallery to go and see the tapestry.

Modern Art Eva Rothschild’s ‘Furniture, Tapestry, and Ceramics’ continues at Blue Mountain School, London until 23 November 2019. Presented by Blue Projects. Image: Rings of Saturn, 2019, dyed wool, 286 x 175 x 1 cm, 112 5/8 x 68 7/8 x 3/8 ins #evarothschild @bp.bluemountainschool #stuartshavemodernart

I am not sure about the copywright of the images of this work – sorry if anyone objects  let me know and I will remove it but there are images all over the internet now. So the original artwork was by Eva Rothschild and then the tapestry was woven at West Dean by me, Ellie and Philip. It is on view until the 23rd November in Chance Lane and worth a look. I was a bit worried about weaving something so unlike my own work but actually as it was blocks of colour it wasn’t too bad. I basically wove the right hand side and that long thin strip of green was terrifying, it was only across about eight warps and at 1.8 metres high, maintaining the right tension was scary but we did it.

So I am going to finish with an image of my latest tapestry. Yes I did manage to get some weaving done too. This is a portrait of my Great Uncle Antonio.

A Mazzalini - Drunkard (2)


And following the dual portrait of my neice and my Great Grandmother I thought I would do one of him, so here it is:

Great Uncle Antonio

I have included the original photo this time as I am pleased with the likeness. It is one thing to be able to weave a face but it is completely different  to weave a portrait that looks like the person, I think I have it here, although I cannot decide whether it does look like he has a moustache or a hair lip. I think I have the sad eyes, eyes are such tricksy things for weavers, in fact for any artist, at least with the shadow and the tilt of the head there was not a requirement to get them looking almost identical which it the worst bit.

So what’s next? A bit of a rest. Package up all the Heallreaf 3 tapestries and send them back to their artists, clear the studio up a bit. Then I have to do some pod samples as I am teaching a ‘pod weaving’ day at Weavers Bazaar in November. Then there is a smallish flower tapestry I want to do and maybe a couple more family portraits and then of course there is my Lady and The Unicorn Tapestry, I hope to get the artwork for that and the frame warped up by the end of November – okay end of December.